Yannis Ritsos. Repetitions, Testimonies, Parentheses. Translated by Edmund Keeley. Princeton Modern Greek Studies. Princeton, NJ: Princeton University Press, 1991. xxviii, 238 p. <Poetry>

ISBN 069106878X cloth; 0691019088 pbk; 9780691019086 pbk

Contains: Introduction (pp. xvii-xxviii).

From Repetitions [Επαναλήψεις], 1963-65: "Greek Scene" (p. 3); "Ordinary People's Lithograph" (p. 4); "From Poseidon" (p. 5); "The Need for Shade" (p. 6); "Continuity" (p. 7); "Historical Addition" (p. 8); "Consequences" (p. 9); "Cleanliness" (p. 10); "Delos" (p. 11); "As in the Old Days" (p. 12); "The Awakening of Telemachus" (p. 13); "The Sirens' End" (p. 14); "In the Land of the Bebrycians" (p. 15); "Prisms" (p. 16); "Ancient City" (p. 17).

From Testimonies [Μαρτυρίες], 1964-65: "After the Ceremony" (p. 21); "From the Argonaut Expedition" (p. 22); "Phineus" (p. 23); "Theseus Arriving in Athens" (p. 24); "Pyrilampes' Peacocks" (p. 25); "Description" (p. 26); "Variation" (p. 27); "First Sensuality" (p. 28); "The Diviner" (p. 29); "Death Portrait" (p. 30); "Eurylogos" (p. 31); "Forgiveness" (p. 32); "Non-hero" (p. 33); "The Choice" (p. 34); "Nausicaä" (p. 35); "Nausicaä's House" (p. 36); "Return" (p. 37); "Return II" (p. 38); "Trivial Details" (p. 39); "Second Coming" (p. 40).

From Repetitions [Επαναλήψεις], 1968: "From Oracle to Oracle" (p. 43); "Caria" (p. 44); "Dismemberment" (p. 45); "Not Even Mythology" (p. 46); "Vase Painting, Sixth Century B.C." (p. 47); "Between Ionians and Dorians" (pp. 48-49); "The End of Theseus" (pp. 50-51); "The True Glory of Bellerophon" (p. 52); "Phalysios, Anyte, Asclepius" (p. 53); "Asclepius" (p. 54); "Hypermnestra and Other Danaids" (p. 55); "Danaë" (p. 56); "Argus, Odysseus' Dog" (p. 57); "Manly Valor" (pp. 58-59).

From Repetitions [Επαναλήψεις], 1968-69: "The New Oracle" (p. 63); "The Present" (p. 64); "The Missing" (p. 65); "Conversion" (p. 66); "The Tombs of Our Ancestors" (p. 67); "Metamorphoses" (p. 68); "After the Defeat" (p. 69); "The Battle of Amphipolis" (pp. 70-71); "And Recounting Them" (pp. 72-73); "In Vain" (p. 74); "Alcmene" (p. 75); "Heracles and Us" (p. 76); "Reminder" (p. 77); "The Apples of the Hesperides I" (p. 78); "The Apples of the Hesperides II" (p. 79); "After the Treaty between the Athenians and the Lacedaemonians Was Broken" (pp. 80-81); "The New Dance" (p. 82); "Philomela" (p. 83); "Niobe" (p. 84); "Themistocles" (pp. 85-86); "Thalos" (p. 87); "The Decline of the Argo" (p. 88); "Achilles after Dying" (pp. 89-90); "Penelope's Despair" (p. 91); "The End of Dodona I" (pp. 92-93); "The End of Dodona II" (pp. 94-95); "The Lone Plow" (p. 96); "Septeria and Daphnephoria" (pp. 97-98); "Marpessa's Choice" (p. 99); "Brotherhood" (p. 100); "Essence" (p. 101); "Then and Now" (p. 102); "Phemonoë" (pp. 103-104); "The Lost Land of the Hyperboreans" (p. 105); "The Real Reason" (p. 106); "Apollo's First Altar" (p. 107); "Actaeon" (p. 108); "Artemis" (p. 109); "Herms I" (p. 110); "Herms II" (p. 111); "Our Life in Pharae" (p. 112); "The Disjunctive Conjunction 'Or'" (p. 113); "Expiation" (pp. 114-115); "The Prototypes" (p. 116); "Advice" (pp. 117-118); "The Red Thread" (p. 119); "Requiem on Poros" (p. 120); "To Orpheus" (p. 121).

Parentheses [Παρενθέσεις], 1946-47 (pp. 125-145).

Parentheses [Παρενθέσεις], 1950-61 (pp. 149-178).

The Distant [Το μακρινό], 1975 (pp. 181-212).

Notes to the Poems (pp. 213-235); Yannis Ritsos: Biographical Data (pp. 236-238).

A new collection incorporating the now out-of-print Ritsos in Parentheses {4.3946}, and including Επαναλήψεις, Μαρτυρίες, Το μακρινό.