The Charioteer 29/30 (1987-88). C. Capri-Karka, ed. Special Double Issue: "Yannis Ritsos". 256 p.

http://hdl.handle.net/10066/13891

Contains: C. Capri-Karka, "Editorial" (pp. 7-18).

Yannis Ritsos, My Sister’s Song [Το τραγούδι της αδελφής μου], tr. and intro. Marjorie Chambers (pp. 19-43). The March of the Ocean [Το εμβατήριο του ωκεανού], tr. Marjorie Chambers (pp. 44-73). Romiosini [Ρωμιοσύνη], trs. Philip Pastras and George Pilitsis (pp 74-87).

William V. Spanos, “Yannis Ritsos’ Romiosini: Style as Historical Memory” (pp. 88-110).

Yannis Ritsos, “By Way of Introduction to the Testimonies”, tr. Rick M. Newton (pp. 111-116).

"From Testimonies A" [Μαρτυρίες]: "Process", "Perspective" (p. 117); "Inalienable", "Water and Earth" (p. 118); "Afternoon", "Almost a Conjurer" (p. 119); "The Architect", "Builders" (p. 120); "The End of a Speech" (p. 121); "Beneath Oblivion", "Perhaps He Knew" (p. 122); "Same Coolness?", "Alone with His Work" (p. 123), tr. Rick M. Newton.

"From Testimonies B" [Μαρτυρίες]: "The Prophetess", "Ancient Night" (p. 124); "Greek Profile", "Mysterious Light" (p. 125), tr. Martin McKinsey.

Peter Bien, “Orestes’ Cow” (pp. 126-132); Mitsos Alexandropoulos, “For a Little Summer: Yannis Ritsos’ Chrysothemis and a Letter for US”, tr. C. Capri-Karka (pp. 133-154).

Eighteen Short Songs of the Bitter Motherland [18 Λιανοτράγουδα της πικρής πατρίδας], tr. C. Capri-Karka [bilingual] (pp. 155-167).

The Annihilation of Melos [Ο αφανισμός της Μήλος], tr. and intro. Rick M. Newton (pp. 168-193).

Yannis Ritsos, “Upon Reading Again the Collections The Wall in the Mirror and Doorman’s Booth”, tr. C. Capri-Karka (pp. 194-195).

"From Doorman's Booth" [Θυρωρείο]: "So Much White", "Deeper" (p. 205); "Near Dawn", "Partial Resignation" (p. 206); "Moving", "Suggestion" (p. 207); "Decay", "The Dance of a Woman Past Youth" (p. 208); "Buildings", "Difficult Confession" (p. 209); "Transformations", "A Relationship" (p. 210); "A Gesture", "Reverent Comparison" (p. 211); "The Other Kind of Accuracy", "Encounter" (p. 212); "Celestial Sympathy", "An Old Familiar Dog" (p. 213); "Upwards", "Orientation" (p. 214); "We Continue", "On Two Levels" (p. 215); "After an Interruption", "The Miracle" (p. 216), tr. and introduction C. Capri-Karka.

Yannis Ritsos, “The Body and the Blood (One More Attempt at a Poem for the Polytechnic)”, trs. C. Capri-Karka and Ilona Karka (pp. 217-236).

"A Selection of Short Poems": From Exercises [Ασκήσεις]: "Light", "Small Loneliness" (p. 237); "Imagination and Reality" (p. 238), tr. C. Capri-Karka. From Summer School [Θερινό φροντιστήριο]: "Country Landscape", tr. C. Capri-Karka (p. 239). From Petrified Time [Πέτρινος χρόνος]: "Noon", tr. George Pilitsis (p. 240); "Familiarity", tr. Martin McKinsey (p. 241). From Twelve Poems on Cavafy [12 ποιήματα για τον Καβάφη]: "The Poet's Room", tr. Marjorie Chambers (p. 242). From Stones, Repetitions and Fence [Πέτρες, Επαναλήψεις, Κιγκλίδωμα]: "No, No", tr. George Pilitsis; "Then and Now", tr. Martin McKinsey (p. 243). From Gestures [Χειρονομίες]: "The Other City" (p. 244); "Masquerade" (p. 245); "Slackness", "The Usual Contradictions" (p. 246); "Unnatural Blossoming" (p. 247), tr. George Pilitsis. From Corridor and Staircase [Διάδρομος και σκάλα]: "Excavations I" (p. 248); "Excavations II" (p. 249), tr. Martin McKinsey; "Scene" (p. 250), tr. C. Capri-Karka.

"Short Biographical Note" (pp. 251-252); "Works by Yannis Ritsos" (pp. 252-253).