Miltos Sahtouris. Selected Poems. Translated from the Greek, and with an introduction, by Kimon Friar. Old Chatham, NY: Sachem Press, 1982. 127 p.

ISBN 0937584037; 9780937584033; 0937584045 pbk; 9780937584040 pbk

Contains: Introduction (pp. 8-14).

A selection of poetry:

From The Forgotten Woman [Η λησμονημένη] (1945): "The Difficult Sunday" (p. 16); "Beauty" (p. 17); "The Dream" (pp. 18-19); "The Saviour" (p. 20); "The Three Lovers" (p. 21); "The Forgotten Woman", I-VI (pp. 22-24).

From Ballads [Παραλογές] (1948): "The Almond Trees" (p. 25); "The Wounded Spring" (p. 26); "The Dead Man in Our Life: John Benjamin d'Arkózi" (p. 27); "Observatory" (p. 28); "Nightmare" (p. 29); "The Gifts" (p. 30); "Death" (p. 31); "Deep Mine" (p. 32); "The Sky" (p. 33); "Peter" (p. 34); "The Door" (p. 35); "The Battle" (p. 36); "The Brigand" (p. 37); "Lazarus" (p. 38); "The Factory" (p. 39); "Sometimes the Women" (p. 40); "He Is Not Oedipus" (p. 41); "Pasiphae" (p. 42).

From With Face to the Wall [Με το πρόσωπο στον τοίχο] (1952): "On the Nature of the Beast" (p. 43); "Experiments for the Repetition of Night" (p. 44); "The Crossing" (p. 45); "The Scene" (p. 46); "The Sheep" (p. 47); "Saturday" (p. 48); "Nostalgia Returns" (p. 49); "The Clouds" (p. 50); "The Telephone" (p. 51); "The Carnival" (p. 52); "The Metamorphosis" (p. 53).

From When I Speak to You [Όταν σας μιλώ] (1956): "We Have Sprouted" (p. 54); "Eros Slipped" (p. 55); "The Orange Tree" (p. 56); "The Dove" (p. 57); "The Voyage" (p. 58); "I Am Not a Tree" (p. 59).

From The Phantoms or Joy in the Other Street [Τα φάσματα ή Η χαρά στον άλλο δρόμο] (1958): "The Martyrdom" (p. 60); "Maria" (p. 61); "History" (p. 62); "My Brothers" (p. 63); "The Temptation" (p. 64); "The Crazy Hare" (p. 65); "The Soldier Poet" (p. 66); "Life" (p. 67); "The Garden" (p. 68); "Winter" (p. 69); "Stranger" (p. 70).

From The Stroll [Ο περίπατος] (1960): "Autumn" (p. 71); "The Story of a Child" (p. 72); "Thoughts" (p. 73); "Pentagram" (pp. 74-75); "Why" (p. 76); "The Morning and the Evening" (p. 77); "The Station" (p. 78); "The Money" (p. 79); "The Nobleman" (p. 80); "One Day" (p. 81); "The Clock" (p. 82).

From The Stigmata [Τα στίγματα] (1962): "The Mirror" (p. 83); "Moments" (pp. 84-85); "Episode" (p. 86); "I Win" (p. 87); "The Sun One Beautiful Day" (p. 88); "Clepsydra" (p. 89); "Sunset" (p. 90); "Portrait" (p. 91); "The Desolate" (p. 92); "The Poet" (p. 93); "The Gravebird Was Leaving" (p. 94); "The Gold" (p. 95).

From The Seal or The Eighth Moon [Σφραγίδα ή Η όγδοη σελήνη] (1964): "Parable" (p. 96); "Threnody" (p. 97); "Papers" (p. 98); "Hook" (p. 99); "Sunday" (p. 100); "Benjamin" (p. 101); "The Huge Moon" (p. 102); "We See with Teeth" (p. 103); "The Canary" (p. 104).

From The Vessel [Το σκεύος] (1971): "The Carriage" (p. 105); "The Color of Ice" (p. 106); "The Collector" (p. 107); "It's Not by Chance that I Live Further On" (p. 108); "Sparrows" (p. 109); "The Poet's Head" (p. 110); "Heavenly Reply" (p. 111); "The Enigmas" (p. 112); "The Green Afternoon" (p. 113); "The Coffee House" (p. 114); "Sir" (p. 115); "The Ascent" (p. 116); "To the End" (p. 117).

From Colour Wounds [Χρωμοτραύματα] (1980): "The Letters" (p. 118); "The Hands the Record of Love" (p. 119); "The English Poet and Painter Gabriel Rossetti Writes a Poem with My Hand" (pp. 120-121); "The Radiance" (p. 122); "The Violet" (p. 123); "Ectoplasms" (p. 124); "Asái" (p. 125).

Biographical data (p. 127).