[Tákis Sinópoulos]. Landscape of Death: The Selected Poems of Tákis Sinópoulos. Translated from the Greek, with an introduction by Kimon Friar. Columbus, OH: Ohio State University Press, 1979. xlvii, 288 p. Bilingual edition.

ISBN 0814202993; 9780814202999

Includes: Kimon Friar, Introduction (pp. ix-xlvi).

From Midpoint [Μεταίχμιο] (1951): "Elpenor" (Summer 1944) (pp. 4-7); "Ioanna, II" (Autumn 1946) (pp. 8-11); "Landscape" (Summer 1948) (pp. 12-13); "The Last Cry" (1949) (pp. 14-17).

From Cantos I-XI [Άσματα] (1953): "Canto I, The Dead King" (Winter 1949) (pp. 20-25); "Canto IV, In Memoriam G.S." (Spring 1950) (pp. 26-29); "Canto VII, Paris" (Summer 1950) (pp. 30-35).

Acquaintance with Max [Η γνωριμία με τον Μαξ] (Febr.-April 1956) (pp. 38-57).

From Midpoint [Μεταίχμιο] II (1957): "The Burning Man" (Summer 1951) (pp. 60-61); "Doana" (1953) (pp. 62-63); "Parentheses" (1954) (pp. 64-65); "The Sea" (1955) (pp. 66-67); "The Isle of Death" (1955) (pp. 68-71); "Season" (1956) (pp. 72-73); "Maria" (1956-57) (pp. 74-75); "The Symposium" (1956-57) (pp. 76-81).

From Helen [Ελένη] (1951-52): "Helen, I" (pp. 84-85); "Helen's Death" (pp. 86-87); "A Poem for Helen" (pp. 88-91).

From Night and Counterpoint [Η νύχτα και η αντίστιξη] (1959): "Intoxication" (1954-55) (pp. 94-99); "Waiting Room" (1954-55) (pp. 100-103); "The Survivor" (December 1955) (pp. 104-115); "Spring and Maria" (1958) (pp. 116-117); "You and the Poem" (1958) (pp. 118-119).

From The Song of Ioanna and Konstandinos [Το άσμα της Ιωάννας και του Κωνσταντίνου] (1961): "Song of Songs" (1954-55) (pp. 122-125); "Konstandinos Raving" (1955) (pp. 126-129); "Ioanna Raving" (1955) (pp. 130-133); Konstandinos's Voice" (1955-59) (pp. 134-139); "The Ordeal of Night" (1955, 1958, 1960) (pp. 140-151); "The Rain" (1959) (pp. 152-153).

From The Poetry of Poetry [Η ποίηση της ποίησης] (1964): "The Poetry of Poetry" (pp. 156-163).

From Stones [Πέτρες] (1971): "Cool Flowers" (1963) (pp. 166-167); "Above the Seasons" (1963) (pp. 168-169); "The Holiday" (1963) (pp. 170-171); "A Light Came" (1963-64) (pp. 172-173); "The Window" (1963-64) (pp. 174-175); "The Wild Animals" (1964) (pp. 176-177); "Summary" (1964) (pp. 178-179); "Deterioration" (1964) (pp. 180-181); "The Jail" (1964, 1971) (pp. 182-183); "Anniversary" (1964; 1971) (pp. 184-185).

Deathfeast [Νεκρόδειπνος] (1972): "Sophia and Other Things" (August 1964) (pp. 188-193); "Magda" (September 1962) (pp. 194-199); "Deathfeast" (1963-64) (pp. 200-207); "The Train" (1963-64) (pp. 208-213); "Almost a Biography" (1964-65) (pp. 214-217); "Probable Additions to 'Almost a Biography'" (1967-72) (pp. 218-219).

From The Chronicle [Το χρονικό] (1975) "Origin" (Summer 1962) (pp. 222-223); "The Boy" (1968) (pp. 224-225); "Note VII" (pp. 226-229); "Note X" (1968) (pp. 230-237); "Nights" (Spring 1970): I 'An Outing on Patision Street ...' (pp. 238-241), II 'A circular borrowed light ...' (pp. 240-243), III 'Wherever you look there's evil ...' (pp. 242-245), IV 'From the other side of the afternoon ...' (pp. 244-249), V 'Forty four tractors ...' (pp. 248-253); "Still Another Night" (Spring-Summer 1973): II 'The friends I once had ...' (pp. 254-255), III 'Poisonous bread poisoned salt ...' (pp. 256-257), "Essay '73-'74", X 'An unplanned trip ...' (pp. 258-259), XVI 'Greece has been traveling ...' (pp. 260-261).

Appendix: Leitmotifs (pp. 263-278); [Biographical Note]: Tákis Sinópoulos (pp. 278-279); Bibliography (p. 279); Notes (pp. 280-288).