Tasos Livaditis. Selected Poems. Translated by Manolis [Aligizakis]. Surrey, BC: Libros Libertad Publishing, 2014. xx, 263 p. Bilingual edition.

ISBN 1926763351; 9781926763354 pbk

Contains: Foreword (pp. v-vi); Introduction (pp. vii-x); Yannis Ritsos. "For My Brother Tasos Livaditis" <poetry> (p. xi); Vrettakos, Kostas. "The Music of Truth in Tasos Livaditis' Poetry" (p. xii); Kouloufakos, Kostas. "The Unexpected in Tasos Livaditis' Poetry" (p. xiii); Patrikios, Titos. "Life Identified with Poetry" (p. xiv); Katsimis, Spiros. "The Lonely and Heroic Path of Tasos Livaditis" (pp. xv-xvi); Tsalapatis, Dimitris. "The Duty of Honouring Tasos Livaditis" (p. xvii). 

Αυτό το αστέρι είναι για όλους μας / This Star Is for All of Us (1952) (pp. 1-17): "I" (pp. 2-7); "III" (pp. 8-17). 

Ο άνθρωπος με το ταμπούρλο / The Man with the Drum (1956) (pp. 18-31): "Simple Talk" (pp. 20-27); "Don't Aim at My Heart" (pp. 28-31). 

Ποιήματα μεταξύ / Poems Between (1972-1977) (pp. 32-139): "The Defeated" (pp. 34-35); "Pigsty" (pp. 36-37); "The Sixth Day" (pp. 38-39); "Secret Gate" (pp. 40-41); "Creation" (pp. 42-43); "Night" (pp. 44-45); "Guilt" (pp. 46-47); "The Car" (pp. 48-49); "Silent Faces" (pp. 50-51); "The Musician" (pp. 52-53); "The Empty Coat" (pp. 54-55); "The Third Man" (pp. 56-57); "At the Brothel" (pp. 58-59); "Escape" (pp. 60-61); "The Visitor's Letter" (pp. 62-63); "The Nails" (pp. 64-65); "Empty Hands" (pp. 66-67); "Daily Use" (pp. 68-69); "Touch" (pp. 70-71); "The One Who Could See" (pp. 72-73); "Encounters" (pp. 74-75); "Sound of Gas" (pp. 76-77); "Industrious" (pp. 78-79); "Property" (pp. 80-81); "Shadows on the Wall" (pp. 82-83); "Return" (pp. 84-85); "Celebration" (pp. 86-87); "We descended from an old race …" (pp. 88-89); "Then what are the childhood years … (pp. 90-91); "And there were days …" (pp. 92-93); "Forever hunted from everywhere …" (pp. 94-95); "And yet, the news we expected reached us …" (pp. 96-97); "Sometimes the house overflows …" (pp. 98-99); "Then what else is then the future …" (pp. 100-101); "And we had to hide it forever …" (pp. 102-103); "Now we learn of patience …" (pp. 104-105); "We walk under the heavy coat of someone …" (pp. 106-107); "Sometimes during the night …" (pp. 108-109); "Soon as we fell in slavery …" (pp. 110-111); "When at last the messengers came …" (pp. 112-113); "At first glance of course …" (pp. 114-115); "The night led us sometimes to forgetfulness …" (pp. 116-117); "None knew that my face wasn't real …" (pp. 118-119); "Many years went by …" (pp. 120-121); "Eternal, dark emigration …" (pp. 122-123); "Ancient, dark game …" (pp. 124-125); "The endless fever of the roads …" (pp. 126-127); "And perhaps what we never understood …" (pp. 128-129); "Long, barbarous roads …" (pp. 130-131); "The first night he was still poor …" (pp. 132-133); "The days had become longer …" (pp. 134-135); "Simple Words" (pp. 136-137); "For a Woman" (pp. 138-139).

Ποιήματα μεταξύ / Poems Between (1979-1987) (pp. 140-179): "Afternoon Delights" (pp. 142-143); "Reminder" (pp. 144-145); "Perverted Passion" (pp. 146-147); "Peisistratos" (pp. 148-149); "Autumn Comment" (pp. 150-151); "New Professions" (pp. 152-153); "The Statue" (pp. 154-155); "Timeline" (pp. 156-157); "Our Shadows" (pp. 158-159); "God Needs Our Help" (pp. 160-161); "Critical Hour" (pp. 162-163); "Suspicious Encounters" (pp. 164-165); "Out of the Scope" (pp. 166-167); "Similes" (pp. 168-169); "Gestures" (pp. 170-171); "Adulthood" (pp. 172-173); "Bad Students" (pp. 174-175); "Greediness" (pp. 176-177); "Verses" (pp. 178-179).

Ο άνθρωπος με το λύχνο / The Blind Man with the Oil Lamp (1983) (pp. 180-211): "The Blind Man with the Oil Lamp" (pp. 182-183); "Ancient Controversy" (pp. 184-185); "Song of the Comrades" (pp. 186-187); "Prologue to Eternity" (pp. 188-189); "Low Tone Music" (pp. 190-191); "Prudence" (pp. 192-193); "History Lesson" (pp. 194-195); "Good News" (pp. 196-197); "Justice" (pp. 198-199); "Twilight" (pp. 200-201); "Secret Deeds" (pp. 202-203); "Passerby" (pp. 204-205); "Restricted Entrance" (pp. 206-207); "As Night Falls" (pp. 208-209); "The City" (pp. 210-211). 

Βιολέτες για μια εποχή (1985): Σκιές από μακρινά φώτα* / Violets for a Season (1985): Shadows from Distant Lights* (pp. 212-233): "Evening Thoughts" (pp. 214-215); "Family Warmth" (pp. 216-217); "Snow" (pp. 218-219); "Season's Leftovers" (pp. 220-221); "Night Gains" (pp. 222-223); "Goodbye" (pp. 224-225); "Season" (pp. 226-227): "Selected Relations" (pp. 228-229); "Adventure" (pp. 230-231); "Music" (pp. 232-233).

Τα χειρόγραφα του φθινοπώρου / Manuscripts of Autumn (1990) (pp. 234-255): "Old Song" (pp. 236-237); "The Bird That Spoke the Truth" (pp. 238-239); "Calendar Pages" (pp. 240-241); "The First Verse" (pp. 242-243); "November Wind" (pp. 244-245); "Correspondence" (pp. 246-247); "Yellow Papers" (pp. 248-249); "Night Fragrance" (pp. 250-251); "Unspecified Person" (pp. 252-253); "Twilight" (pp. 254-255).

Bibliography (pp. 257-258); Tasos Livaditis: Biography (pp. 259-260); Manolis: Biography (pp. 261-263).

*In 2018 the poet Giorgis Saratsis organized a Poetry evening dedicated to the memory of Tasos Leivaditis under the title "'Σκιές από μακρινά φώτα', 30 χρόνια από τον θάνατο του Τάσου Λειβαδίτη" (= Shadows from Distant Lights, 30 Years after the Death of Tasos Leivaditis).